![]() ![]() With their help, you will adjust colors and apply stunning effects in no time. It might prove to be impossible to hold a reflector in this position for too long in your hands.īy using these pro-level freebies for Photoshop and Lightroom, you can fully transform your photos. It is especially important when a reflector is big and you need to place it above your subject’s head. If you don’t change your location often, it might be better to use a stand. It is quite convenient if you need to take a photo of a moving subject or if you work outside in different locations. Otherwise, you can learn how to use a reflector by yourself, ask your model to hold it or purchase a reflector stand.Īs for me, I prefer working with my assistant. If you have an assistant, the task might be pretty easy. When you purchase a reflector, you need to decide how to set it up. Smaller reflectors are helpful when you need to use the harder light. If it’s quite large, lighting will be softer. It’s important to consider the size of a reflector as well. However, if you need to use the harder light, set it farther so that there is a long distance between them. When you need to make lighting softer to take a perfect portrait photo, try putting the reflector right near your subject. If you put a reflector closer, it will be able to reflect more light. If you’re a studio photographer, you can also use bounce cards to create different lighting situations and maximize your studio lights.Don’t forget to check the distance from a reflector to your model. ![]() I hope you can see by this simple demonstration how useful this inexpensive tool can be to help you achieve your photographic vision. Shooting into the sun creates great bokeh, but makes it difficult to get a well exposed figure.Īs you can see I like to shoot my mini figures with a lot of back light or in low light situations which often leaves a significant amount of the figure in shadow. By using a bounce card I’ve illuminated the figure as well as saved myself hours of post production work. These are unedited photos so you can see the full effect. Here are a couple of examples of photos I took with and without a bounce card so you can see how much a simple reflective surface can fill in those annoying shadows and make your post production work flow a breeze. (When I’m shooting one handed, I thank the photo gods for image stabilization!) I usually stand these up with the help of a couple of rocks I always care with me or I hold the card in position. I use pieces of mat board that I’ve attached a silver reflective surfaces too imagine a stiff piece of mat board that is white on one side and a reflective silver on the other. I’ve seen another with small tepees made from fomecor that are set up to bounce light up onto the figure to fill in shadows. I’ve seen one photographer pull out a business card to solve a lighting problem. Any homemade bounce card can turn a difficult lighting situation into a success. No matter if you’re shooting in full sun, in the shade or with your toy backlit, there is usually some lighting problem that needs to be solved, and a little reflector does the trick very nicely. I know toy photographers who travel with small auxiliary lights, but pulling out a bounce card is often easier than setting up lights and produces a cheap and pleasing lighting effect. Unlike studio photographers, when you’re shooting outdoors you can’t control the sun’s position. In fact, for most toy photographers, you can make your own, or use any handy piece of reflective / white surface. Basically, they make just about every lighting situation better for very little cost. They can be used with flash, continuous light, direct and indirect sunlight. They’re a cheap and easy device to bounce available light on your subject and fill in shadows and brighten the figure with a nice overall soft light. Therefore, it doesnt matter which light source you use with the reflectors. Reflectors are a main stay of portrait photographers, both outdoors and in the studio. When you add a reflector to your kit you can achieve even lighting on your toy, fill in those deep shadows and eliminate that shiny plastic line so often seen in toy photography. Don’t be afraid to experiment though, as that is a. It’s likely the silver or gold surfaces will reflect too much light back onto your subject. If you are making portraits outside in full sunshine the use of the white reflector surface may be best. Why? Because when you shoot outdoors, you only have one light source – the sun, and it’s rarely where you need it. Careful choice of reflective surface for whatever light you are working in is important too. Every outdoor photographer should have a reflector in their kit and know how to use it while shooting their toys.
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